"Stan Lee looks to the future"
October 10, 1995
In the conclusion of his interview with Westfield's Bennett
Neuhauser, Stan Lee gives us a glimpse of the many forthcoming
Marvel Film projects. He also speculates on the future of comics
and the role he hopes to play in it.
Westfield: We've heard lots of rumors about a live-action
Spider-Man movie in the works, maybe a live-action
Fantastic Four movie. Are you able to comment on
that?
Stan Lee: Oh sure. They're more than rumors. These things
are all in the works. Unfortunately, the Spider-Man
project is being delayed, because it's to be distributed by Carolco
and Carolco is having all sorts of legal and financial problems.
Because of that, they haven't been able to give the go-ahead to
Jim Cameron to start directing the movie. It may take many more
months before they get their own affairs straightened out and
can go forward. But there definitely will be a Spider-Man
movie, written and directed by Jim Cameron, and I'm hoping that
it'll be in production before the end of '96.
As far as the other characters, an X-Men screenplay
is being written right now and it'll be produced at 20th Century
Fox by Lauren Shula-Donner and her husband, Dick Donner. It's
going to be a big movie. We also have the Fantastic Four,
which Chris Columbus is going to produce and I'm hoping he'll
direct it, also at 20th Century Fox. The Hulk is
being written now for Universal and it will be produced by Gail
Anne Hurd. Gail is the one who did Aliens and I
believe she produced The Terminator. Iron
Man is over at Fox now. They have a script and they're
looking for a director. Dr. Strange is at Columbia.
It's being rewritten and we hope to have - I can't mention his
name yet, the contract isn't signed - but there's a very big star
who is interested in playing Dr. Strange.
Westfield: That's one of my favorite characters.
Stan Lee: Well, it's in the works. Daredevil
is at Fox. That too will be produced by Chris Columbus and he's
writing the first draft himself. Blade, Vampire Hunter
is at New Line. That script has been written and they're looking
for a director. Silver Surfer, also, is going to
be produced by Bernd Eichinger who did The Name of the Rose,
Last Exit to Brooklyn and the original Never
Ending Story. Those are the more or less really definite
ones, but there are still others, like Luke Cage
for Pressman Productions. Ed Pressman is the one who did The
Crow and Judge Dredd. Ed has John Singleton
lined up to direct Luke Cage.
Westfield: Excellent. So we're talking a one to two year
timetable here?
Stan Lee: It looks that way. I think two years from now
you're going to see a plethora of our material on the screen.
Westfield: To what extent are you directly involved with
these film projects. Are you an advisor?
Stan Lee: My title is Co-Executive Producer. I advise and
go to the meetings and give my opinions. I make sure that whatever
they do is going to reflect favorably on Marvel and on our characters.
I try to make sure the characters won't be short-changed, as has
happened once or twice in the past.
Westfield: Moving from movies to multi-media, you now have
the Stan Lee's Riftworld books available on CD-ROM,
correct?
Stan Lee: Right.
Westfield: As we see more and more comics moving into the
computer realm, I have two rather broad questions for you. First
of all, I'd like your impressions of what you've accomplished
so far in the comics business; second, where do you see the future
of comics going and what role do you see yourself playing in that
future?
Stan Lee: Well, what I've accomplished so far is more for
other people to answer than for me. (chuckles) Basically, the
only thing I tried to do years ago was write some stories that
people would enjoy reading. Some of the characters I created or
co-created I've been very lucky with, because they've lasted all
these years.
As far as what I'm going to do, or where I see the business going,
I think there will always be comic books, because there's just
something so inviting about a comic book. It's lightweight,
it's easy to carry, it's easy to read, it's colorful and exciting.
You can bend a comic, keep it in your pocket, you can share it
with a friend, you can say, "Hey look at this!" You
can put it on a shelf and pick it up and reread it and reread
it and reread it. You don't need a cassette player or a television
set or a computer.
By the same token, the way the world is moving - with CD-ROMs
becoming so big - I think comics are going to branch out in every
other field also, just the way comic book characters have become
so big in television and movies. They'll be equally big in CD-ROM.
They'll be equally big in every new entertainment device that
comes along, because people love superhero stories, they love
fantasy stories, they love imaginative stories, and that's basically
what comic books specialize in. So, I think comic books are going
to be with us forever, just as imaginative, bigger-than-life action
stories will be with us forever.
Westfield: You mean stories of heroes being challenged
to do right under great stress and making decisions people have
to make in their own lives, if only on a microcosm level, every
day.
Stan Lee: Absolutely right. It's the good guy versus the
bad guy. It's the life-and-death problem that has to be solved
and how is the hero going to solve it. And to make it more palatable
and enjoyable than ever, there's always the dash of fantasy that's
tossed in.
Westfield: How do you feel when you see someone writing
a character you created, like Spider-Man, which must be one of
your favorites? Do you like, for instance, Untold Tales
of Spider-Man, which kind of harks back to the more forthright,
optimistic outlook on superheroes?
Stan Lee: I like all of them. I like the new ones. I like
the old ones I had done. I like the "retro" ones that
are being done now. You see the thing is, as you can imagine,
you can't keep using the same kind of story over and over again.
The readers get tired. Just like you can't do the same motion
picture over and over again. So, each new writer that comes along
to do Spider-Man, or any strip, puts his own imprimatur on it,
gives it his own take, his own style, and that I think is what
keeps the strips and the characters alive. While they're based
on the original premise, they're continually changing and evolving.
We try to see to it that there are always surprises.
Basically a story is a story and all that matters is, is it well
written? Does it hold your interest? Does the characterization
ring true? As long as we have good writers - and we're very lucky
at Marvel, we have excellent writers, as well as very talented
artists - whichever type of stories they do, the so-called older
style or the newer style or anything in between, or even if they
create their own style, as long as they do it well,
I'm in favor of it.
That concludes our interview, heroes, but keep the faith. Stan
promises us a follow-up, when the Excelsior Comics line
debuts in '96!
|